MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_01C93816.24413920" This document is a Single File Web Page, also known as a Web Archive file. If you are seeing this message, your browser or editor doesn't support Web Archive files. Please download a browser that supports Web Archive, such as Microsoft Internet Explorer. ------=_NextPart_01C93816.24413920 Content-Location: file:///C:/10876213/RepBonnieMeekums.htm Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset="us-ascii"
To: Lis=
a Ullmann
Travelling Scholarship Fund
4th Europ=
ean
Congress on Psychomotricity ‘Crossing Borders’
Dear LU=
TSF
Please =
find my
report following the award of a Lisa Ullmann Travel Scholarship. I am very
grateful for this support.
One of =
the
European colleagues I met at the congress, Graca Santos from
In my a=
pplication
for funding, I defined a successful outcome as:
I am lo=
oking
forward to following up on the first of these. I certainly came home feeling stim=
ulated
and renewed, and have loads of new information and ideas on which I can bui=
ld
for both teaching and research.
I inten=
d to
submit my report to the professional newsletter e-motion ADMP Quarterly.
Yours s=
incerely,
Bonnie =
Meekums
Report on 4th=
sup>
European Congress on Psychomotricity ‘Crossing Borders’
Bonnie Meekums, PhD,=
SrDMT,
Hon Fellow ADMP
I appli=
ed to go
to this conference because it has been some time since I was able to attend=
a
conference that would expand my horizons in movement and dance. I wanted to find out what
psychomotricity is, and what its relationship is to Dance Movement
Psychotherapy (DMP). The titl=
e of
the conference seemed apt.
The pro=
fession of
psychomotricity dates back to the 1930s and now exists throughout Europe ex=
cept
the
Psychom=
otricity
is practised both in therapy and education, and has a strong evidence
base. On their website (http:/=
/www.psychomot.org/european_forum_psychomotricity.htm)=
=
[i],
the EFP state that: ‘Based on a holistic view of the human being, on =
the
unity of body and mind, psychomotricity integrates the cognitive, emotional,
symbolical and physical interactions in the individual’s capacity to =
be
and to act in a psychosocial context’. DMP, on the other hand as defined =
by
ADMP (http://www.admt.org.uk=
/whatis.html)=
=
[ii],
is: ‘the psychotherapeutic use of movement and dance through which a
person can engage creatively in a process to further their emotional,
cognitive, physical and social integration.’ The ADMP website goes on to say th=
at the
profession is ‘founded on the principle that movement reflects an
individual’s patterns of thinking and feeling.’ So, the goals are very similar but=
DMP
places a very clear emphasis on two things: the creative process and
psychotherapy.

The Friday closure s=
peech
Photo courtesy of EFP accessed 1.7.08 at http://picasaweb.google.com/efp2008workshops/FridayClosu=
re/photo#5205831079620598338
I went =
in part to
present some of my own research, but more importantly I wanted to meet peop=
le
from other countries and engage in dialogue with them. The project began well. On arrival at my hotel I was thrown
together with someone else who was not in fact booked into my conference, b=
ut
was a Spanish chap working for an NGO.&nbs=
p;
We were both waiting for our rooms to be ready. I had been travelling since half w=
ay
through the night, and he had had no sleep at all having come from
Even mo=
re chance
was the fact that despite the fact that we had made our own choices about
hotels and paid for them, the only other two presenters in the little forum=
to
which I presented were both booked into the same hotel. One was a Russian, the other Portu=
guese,
and all of us are dance movement (psycho)therapists. We got to hang out together a fair=
bit,
and welcomed into our gang a trainee in psychomotricity, a Fillipina who now
lives in
One of =
these
European colleagues, Graca Santos from Amsterdam
By far =
the most
inspiring speaker for me was the German Dance Movement Psychotherapist and
psychologist Sabine Koch. Lik=
e all
psychologists, she has a talent for designing simple and elegant experiments
that explore how DMP works. Her keynote speech was entitled
‘Embodiment: the influence of movement qualities on affect, attitudes=
and
cognition’. Her researc=
h has
shown for example that sharp movements produce more negative emotions than
smooth movements. What is more, if people move in an
approach mode, they evaluate a neutral visual stimulus more positively than
when asked to move in an avoidance mode.

Sabine Koch at the
conference
Photo courtesy of EFP accessed 1.7.08 on http://picasaweb.google.com/efp20=
08thursday/ThursdayMorningKeynoteLectures9001030/photo#5205887709766436194<=
/a>
The con=
ference
has some really good entertainment, including gymnastics displays, a canal
cruise and a party. There was=
also
a good balance between sitting down and listening and being active in works=
hops
as far ranging as DMP on the one hand and learning how to balance on equipm=
ent
like very large balls, spin plates and do martial arts moves.
In my a=
pplication
for funding, I defined a successful outcome as:
I am lo=
oking
forward to following up on the first of these. I certainly came home feeling stim=
ulated
and renewed, and have loads of new information and ideas on which I can bui=
ld
for both teaching and research.
Report =
compiled
4.7.08
Acknowledgement: the travel cost of this projec=
t was
supported by the Lisa Ullmann Travelling Scholarship Fund.
[i]=
Web i=
nformation
accessed 1.7.08.
[ii] Web information accessed 1.7.08=
.
=
[iii] A report of my research can be =
found
at: Meekums, B. 2008. Develop=
ing
emotional literacy through individual Dance Movement Therapy: a pilot study=
. Emotional and Behavioural Difficulties=
, 13
(2): 95-110.